Evgenia Luzhina-Salazar

Classika-Synetic Theater

The Tale of the Fisherman and The Golden Fish

Helen Hayes Awards 2010
Winner: Outstanding Production for Youth

Puss N'Boots

Classical Fool

Peter and the Wolf

Momotaro

The Bremen Musicians

2008 DC Theater 'The Bremen Musicians . A Musical', by Hunter Kieserman

"The intricate costumes designed by Evgenia Salazar exaggerated the key features of the animal and helped capture attention"

Hansel and Gretel

Stanislavsky Theater Studio

The Brothers Karamazov

2003 Washington Post, ‘Karamazov’: "Brothers on the Move” by Cella Wren

“…Elegance distinguishes Evgenia Luzhina-Salazar’s costumes, which make effective use of a stark color scheme in white, black and stoplight red. When the chorus members glide onstage in Act 2 wearing floral shawls marked with blue, the sudden pattern is starling and lovely…”

Filumena

Dead Souls

2002 Washington Post, ‘Dead Souls’ Giggling with Gogol by Terri Corcoran

“…Costumes by Evgenia Luzhina-Salazar are elaborate and also humorous, with a common color scheme of green and purple: the serfs wear flowing garments of coral accented with purple…”

Don Quixote

2002 Washington Post, ‘Don Quixote’ Touched by Stanislavsky by Terri Corcoran

“…All the costumes by Evgenia Luzhina-Salazar are black and white and are of many varied designs, with the ensemble of actors taking on multiple roles as Quixote goes on his chivalrous crusades with his squire Sancho by his side…”

Little Tragedies

1998 Washington Post, ‘The Little Tragedies’ The Expressionistic Puzhkin

“…Costuming by Evgenia Luzhina-Salazar was extremely inventive and added much to the whole picture…”

1998 Washington Post, ‘Little Tragedies’: Pushkin’s Moral Booster by William Triplett

“…Evgenia Luzhina-Salazar’s bodily colored costumes and you’ve got a show that’s constantly provoking and engaging the imagination (versus the usual sermonizing this kind of material can lead to)…”